The rock and roll biopic is hard to pull off. For every Ray (2004) or Hard Day’s Night (1964) there are a dozen films like Jersey Boys (2014). Bohemian Rhapsody (2018), the story of Queen, was an especially troubled production, with almost a decade mired in development hell. It’s no small success, therefore, that the movie is more on the “good” side of Rock and Roll movies than the “schlock” side.
Much like legendary French film Children of Paradise (1945), the story of Bohemian Rhapsody’s production is more interesting than the movie itself. The first director, Dexter Fletcher quit, only to be rehired when his replacement, Bryan Singer, was sacked. Sacha Baron Cohen was supposed to play Freddie Mercury, but left the project because of creative differences with David Fincher, who by the way, also left the project. Queen itself was unhappy with the first several scripts too – they wanted a Hard Day’s Night style family movie apparently and the studio wanted a raunchy, R rated retelling of the hard-partying life of Freddy Mercury. Somehow the final product achieved some balance of these two visions.
Bohemian Rhapsody is enjoyable enough, but it’s not a great film. Then Queen isn’t a “Great” band, are they? Music critics, after all, loathe Queen with a passion – so much so that the movie itself emphasizes the negative reviews. Case in point, New York Magazine’s clickbait hole Vulture recently ranked every member of the Rock and Roll Hall of Fame. Queen was ranked second to last, ahead of only recent “fan vote” winner Bon Jovi.
The most interesting thing about Queen, therefore, is how a band can be so beloved by fans but so despised by supposed experts. The movie does a solid job exploring this. It’s at its best when it explores the nuts and bolts of Queen’s creative process.
Rami Malek does a fine job capturing Mercury’s stage persona, which is no small task. Still, I felt that the parts that focused on Mercury rather than the band were the weaker parts of the movie. Maybe that was intentional. After all, Mercury needed Brian May, Roger Taylor, and John Deacon to become a superstar. Otherwise he was just an awkward kid with an incredible signing voice.
Much like its subject matter, the movie gets self indulgent. It recreates so many of Queen’s legendary performances that it feels at times more like a concert film than a biopic. I don’t know how one is to value that particular quality critically-speaking, but it makes the movie a lot of fun to watch.
Overall, you should go see Bohemian Rhapsody if you want to see a fun rock band movie and/or if you like Queen. Otherwise, if you’re a professional music critic, you probably won’t enjoy a movie about the Rock and Roll press’ favorite punching bag. Or you might like to give it Mystery Science Theater treatment. I can’t answer that for you.
(C) 2018 D.G. McCabe