Dispatches from the Frozen Land: What’s To Be Done?

Otto von Bismarck never actually said that oft-attributed phrase “laws are like sausages,” but I’m sure someone, at some point, said that about showbiz.  It doesn’t have to be that way, it shouldn’t be that way, plenty of us thought it wasn’t that way anymore, but here we are.  I feel like a vile, mocking voice out of the past is screaming, “See, look, for all your thoughts of progress my horrors are still with you.”

I’m not naive enough to think that harassment, exploitation, and abuse were exorcised from the makings of movies – there has been plenty of evidence to the contrary.  What strikes me this week is the prevalence, and the shrugging in the face of that prevalence, of grotesque behavior at the highest levels of Hollywood.   If one of the top producers in the business has been getting away with this filth for this long, what else is going on that hasn’t been reported yet?

It brings me to question what’s to be done, not just with the people responsible, that’s obvious (or at least should be obvious), but what’s to be done with the art?  We could gather a bunch of Miramax DVD’s and burn them in the town square for all to see.   We’d be creating one heck of a bonfire, to potentially no end except for momentary catharsis and permanent air pollution.  Besides, film is a collaborative artform.  Should the hundreds of people who worked on these films be punished for the actions of one of the lead producers?

I think we can separate art from its process by placing it in context.  Once we start censoring and boycotting any artistic expression, that’s the beginning of the end.  That seems easy, but it’s not.  Lauding the art and ignoring the process enables that process.  After all, that’s why Weinstein got away with it for so long.  If his movies had failed fewer people would have put up with his criminal behavior.

So what can be done? First, the industry needs to shine light on other abusers and scumbags.  Second, the industry needs to deny short-term rewards to these people.  This is easier said than done.

The first depends on people working in an industry where the most vulnerable are the least free to speak out.  “You’ll never work in this town again” is a real threat in Hollywood.  The second depends on audiences, critics, and awarding organizations knowing about the behavior and punishing it by staying away.  This is problematic because it potentially punishes a lot of hard-working cinematographers, makeup artists, set designers, etc. who may have had nothing to do with the actions of an actor/director/producer.  Action needs to be taken before these productions start, not long afterwards.

I’m encouraged by the voices that have been out there this past week, but the pressure needs to be kept up.  Things can change, but if we lose focus, that’s how the status quo resumes.  With that, I hope this past week is the start of something big, rather than a blip on the radar.

(c) 2017 D.G. McCabe